The faceless figure, set in a powerful stance with one hand on the hip, emphasizes strength and simplicity, allowing the viewer to focus on the dynamic reflections that contour the body. The reflective qualities of the chrome create an abstracted sense of movement, blending realism with surrealism. This piece embodies my fascination with capturing the sleek elegance of metallic surfaces while maintaining a commitment to anatomical accuracy.
 
Chrome Study No. 2, Colored Pencil, Alan Yeargan, 2022